George Frideric Handel, Salzburg Bach Choir, Bach Consort Wien, Ruben Dubrovsky's 'Messiah, HWV 56, Pt. 2: Part II: He Trusted in God (Chorus)' came out on March 17, 2017. The duration of Messiah, HWV 56, Pt. 2: Part II: He Trusted in God (Chorus) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Messiah, HWV 56, Pt. 2: Part II: He Trusted in God (Chorus)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Salzburg Bach Choir, Bach Consort Wien, Ruben Dubrovsky's "Handel: Messiah, HWV 56" album is number 2 out of 46. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Messiah, HWV 56, Pt. 2: Part II: He Trusted in God (Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messiah, HWV 56, Pt. 2: Part II: He Trusted in God (Chorus) by George Frideric Handel, Salzburg Bach Choir, Bach Consort Wien, Ruben Dubrovsky to be Moderato (at a moderate speed) because the track has a tempo of 109 テンポ, a half-time of 54テンポ, and a double-time of 218 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rinaldo / Act 3: Recitativo: La causa che vi spinge | George Frideric Handel, Bejun Mehta, Bernarda Fink, Daniel Taylor, Academy of Ancient Music, Christopher Hogwood | A♭ Minor | 1 | 1A | 82 BPM | ||
Deborah, HWV 51: Part I: Chorus - Let thy deeds be glorious | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | A Minor | 0 | 8A | 172 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Concerto for three violins BWV 1064R in D Major: Concerto for three violins BWV 1064R in D Major: I. | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Anne-Katharina Schreiber, Petra Mullejans | D♭ Major | 3 | 3B | 96 BPM | ||
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
4 Impromptus, Op. 90, D.899: No. 4 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 125 BPM | ||
Overture (Suite) In C Major, TWV 55: C6: IV. Bouree En Trompette | Cologne Chamber Orchestra, Georg Philipp Telemann | C Major | 4 | 8B | 119 BPM | ||
Abdelazar Suite, Z. 570: II. Rondeau | Henry Purcell, Camerata Nordica, Terje Tonnesen | A Major | 0 | 11B | 84 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Cello Concerto in C, H.VIIb, No.1: 2. Adagio | Joseph Haydn, Jian Wang, The Gulbenkian Orchestra, Muhai Tang | F Major | 1 | 7B | 96 BPM |