Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr's ' "Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: IV. Allegro" was released on its scheduled release date, October 16, 2001. With This song being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 27 out of 32 in Baroque Trumpet (The Art Of The), Vol. 5 by Wasa Baroque Ensemble, Edward H. Tarr. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: IV. Allegro is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: IV. Allegro by Alessandro Stradella, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr is Presto (very, very fast), since this song has a tempo of 185 テンポ. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cleopatra e Cesare, WV B:I:7: Tra le procelle assorto (Aria) | Carl Heinrich Graun, Regula Mühlemann | E♭ Major | 4 | 5B | 130 BPM | ||
Sinfonia No. 5 in F Major: IV. Presto | Alessandro Stradella, Ensemble Arte Musica, Francesco Cera | D♭ Minor | 2 | 12A | 79 BPM | ||
When Saul was king: I. When Saul was king over us | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | A Major | 1 | 11B | 170 BPM | ||
The Married Beau, Z.603: Trumpet Air - March - Hornpipe On A Ground | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 2 | 2B | 108 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Fasch : Concerto for Trumpet & 2 Oboes in D major : I Allegro | Johann Friedrich Fasch, Maurice André, Pierre Pierlot, Jacques Chambon, Jean-François Paillard & Orchestre de Chambre Jean-François Paillard, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 106 BPM | ||
Il Giustino, RV 717, Act I, Scene 8: Vedrò con mio diletto (Anastasio) | Antonio Vivaldi, Accademia Bizantina, Ottavio Dantone, Silke Gäng | A Major | 0 | 11B | 168 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Aria: Flebile ma con moto (Primo Giudice) | Alessandro Stradella, Matteo Bellotto, Ensemble Aurora, Enrico Gatti | F♯ Major | 3 | 2B | 138 BPM |