Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki's 'Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde…' came out on July 31, 1996. Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde… is about six minutes long, preciously at 6:06, making this song fairly long compared to other songs. The song is number 8 out of 24 in Bach, J.S.: Cantatas, Vol. 3 - Bwv 12, 54, 162, 182 by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde…'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Widerstehe doch der Sünde, BWV 54: I. Aria. Wiederstehe doch der Sunde… by Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Saul, HWV 53: Act I Scene 5: Air: O Lord, whose Mercies numberless (David) | George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | E Major | 0 | 12B | 61 BPM | ||
Prelude In G Minor, BWV 930 : Praeambulum In G Minor, BWV 930 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 129 BPM | ||
Bach, JS: Jauchzet Gott in allen Landen, BWV 51: No. 1, Aria. "Jauchzet Gott in allen Landen" | Johann Sebastian Bach, Natalie Dessay, Neil Brough, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 1 | 1B | 87 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 6. Aria (Tenore): Adam Muß Ins Uns Verwesen | Holland Boys Choir, Netherlands Bach Collegium, Rien Voskuilen, Bas Ramselaar, Ruth Holton, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Frank Wakelkamp, Pieter Jan Leusink | F♯ Major | 1 | 2B | 73 BPM | ||
Hail! bright Cecilia!: Hail! bright Cecilia!: VIII. Wondrous Machine! | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent, Jonathan Arnold | D♭ Major | 1 | 3B | 73 BPM | ||
Bach, J: St John Passion, BWV 245, Part 2: No. 39 "Ruht wohl, ihr heiligen Gebeine" (Chorus) | Johann Sebastian Bach, Marc Minkowski, Ditte Andersen, Lenneke Ruiten, Delphine Galou, David Hansen, Colin Balzer, Valerio Contaldo, Christian Immler, Felix Speer, Les Musiciens du Louvre | B Major | 1 | 1B | 123 BPM | ||
Dixit Dominus, HWV 232: De torrente in via bibet | George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Harry Christophers, The Sixteen | B Minor | 1 | 10A | 74 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM | ||
Brandenburg Concerto No. 1 in F, BWV 1046: 1. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Victor Aviat, Lucas Macias Navarro, Guido Gualandi, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | F Major | 3 | 7B | 90 BPM | ||
Matthäus-Passion, BWV 244 / Zweiter Teil: No. 65 "Mache dich, mein Herze, rein" | Johann Sebastian Bach, Cornelius Hauptmann, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 3 | 12A | 82 BPM |