"Dixit Dominus, HWV 232: De torrente in via bibet" by George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Harry Christophers, The Sixteen was released on September 28, 2009. With this song being around four minutes long, at 4:22, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in The Sixteen, Harry Christophers's "Handel: Dixit Dominus - Steffani: Stabat Mater" album is number 20 out of 21. On top of that, United Kingdom appears to be the country where this track was created. Dixit Dominus, HWV 232: De torrente in via bibet is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dixit Dominus, HWV 232: De torrente in via bibet by George Frideric Handel, Elin Manahan Thomas, Grace Davidson, Harry Christophers, The Sixteen to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Creation, Hob.XXI,2: Pt. 2, Most Beautiful Appear | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | F Major | 1 | 7B | 78 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: I. Kyrie | Louis Vierne, Michel Bouvard | D♭ Minor | 2 | 12A | 73 BPM | ||
Rachmaninov: Vespers, Op. 37: II. Blagoslovi, dushe moya | Sergei Rachmaninoff, Swedish Radio Choir, Malena Emman, Tõnu Kaljuste | C Major | 0 | 8B | 71 BPM | ||
All-night Vigil, Op. 37, "Vespers": Blessed is the man | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Klava | D Minor | 0 | 7A | 69 BPM | ||
Ave verum corpus | Vincenzo Bertolusi, The Sixteen, Eamonn Dougan | B♭ Minor | 1 | 3A | 73 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: Orpheus could lead the savage race | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Tebe Poem (We Hymn Thee) | Pavel Chesnokov, The Sixteen, Harry Christophers | D♭ Minor | 0 | 12A | 141 BPM | ||
Timor et tremor - (Motet) | Orlande de Lassus, The Sixteen, Harry Christophers | D♭ Major | 1 | 3B | 128 BPM | ||
The Gallant Weaver | James MacMillan, The Sixteen, Harry Christophers | A Major | 0 | 11B | 70 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM |