"Certova Stena (The Devil's Wall): Introduction" by Bedřich Smetana, Slovak State Philharmonic Orchestra, Kosice was released on May 13, 1991. The duration of Certova Stena (The Devil's Wall): Introduction is about 3 minutes long, at 3:20. Based on our data, "Certova Stena (The Devil's Wall): Introduction" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 14 in Bedřich Smetana: Orchestral Highlights From Operas by Bedřich Smetana. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Certova Stena (The Devil's Wall): Introduction's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Certova Stena (The Devil's Wall): Introduction by Bedřich Smetana, Slovak State Philharmonic Orchestra, Kosice is Allegro (fast, quick, and bright), since this song has a tempo of 124 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 150 BPM | ||
Estudiantina, Waltz, Op. 191 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 2 | 10B | 99 BPM | ||
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Slovak State Philharmonic Orchestra, Kosice, Stephen Gunzenhauser | G Major | 1 | 9B | 92 BPM | ||
Pelléas et Mélisande, Op. 80: II. La Fileuse | Gabriel Fauré, Zubin Mehta, Israel Philharmonic Orchestra | G Major | 0 | 9B | 87 BPM | ||
Torvaldo e Dorliska: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 2 | 11B | 141 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Prince Igor / Act 2: Dance of the Polovtsian Maidens | Alexander Borodin, Bavarian Radio Symphony Orchestra, Esa-Pekka Salonen | F Major | 1 | 7B | 100 BPM | ||
Cello Sonata in A Minor, Op. 36: I. Allegro agitato | Edvard Grieg, Jean-Yves Thibaudet, Truls Mørk | D Minor | 2 | 7A | 127 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
4 Sketches, Op. 5, JB 1:67: No. 1, Scherzo - Polka. Allegremente | Bedřich Smetana, Jitka Čechová | D♭ Major | 0 | 3B | 102 BPM |