"Nobilissima visione Suite: Passacaglia" by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker was released on January 4, 1995. Nobilissima visione Suite: Passacaglia is about six minutes long, preciously at 5:32, making this song fairly long compared to other songs. The track order of this song in Paul Hindemith, Franz-Paul Decker's "Hindemith: Mathis Der Maler / Symphonic Metamorphosis" album is number 6 out of 10. Nobilissima visione Suite: Passacaglia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Nobilissima visione Suite: Passacaglia by Paul Hindemith, New Zealand Symphony Orchestra, Franz-Paul Decker to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Minor | 0 | 6A | 81 BPM | ||
String Quartet No.2 in D Major | Alexander Borodin, Borodin Quartet | A Major | 1 | 11B | 90 BPM | ||
Ludus Tonalis: IX. Interludium (Vivace) | Paul Hindemith, Alena Cherny | A♭ Major | 0 | 4B | 69 BPM | ||
Pelléas et Mélisande, Op. 80: 5. Andante | Gabriel Fauré, Rotterdam Philharmonic Orchestra, David Zinman | A Minor | 0 | 8A | 84 BPM | ||
Viola Sonata, Op. 31, No. 4: II. Lied. Ruhig, mit wenig Ausdruck. Langsame Viertel | Paul Hindemith, Nobuko Imai | G Major | 1 | 9B | 87 BPM | ||
Concerto for Woodwinds, Harp and Orchestra: II. Grazioso | Paul Hindemith, Stathis Karapanos, Jörg Widmann, Stephan Schweigert, Celine Moinet, Marie-Pierre Langlamet, Konzerthaus Berlin Chamber Orchestra, Sayako Kusaka | G Major | 0 | 9B | 113 BPM | ||
Phantasy Quintet: II. Scherzo: Prestissimo | Ralph Vaughan Williams, Garfield Jackson, Maggini Quartet | E Minor | 1 | 9A | 82 BPM | ||
Première rhapsodie, L. 116: Rêveusement lent | Claude Debussy, Franklin Cohen, Cleveland Orchestra, Pierre Boulez | E♭ Minor | 0 | 2A | 109 BPM | ||
Concerto for Viola & Orchestra: I. Andante comodo | William Walton, Yuri Bashmet, André Previn | D Minor | 0 | 7A | 87 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |