"Ludus Tonalis: IX. Interludium (Vivace)" by Paul Hindemith, Alena Cherny was released on December 6, 2019. With Ludus Tonalis: IX. Interludium (Vivace) being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Alena Cherny's "Hindemith: Ludus Tonalis" album is number 9 out of 25. On top of that, Switzerland appears to be the country where this track was created. Ludus Tonalis: IX. Interludium (Vivace) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ludus Tonalis: IX. Interludium (Vivace) by Paul Hindemith, Alena Cherny to be Adagio (slowly with great expression) because the track has a tempo of 69 テンポ, a half-time of 34テンポ, and a double-time of 138 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: String Quartet in E Minor, Op. 121: I. Allegro moderato | Gabriel Fauré, Quatuor Ébène | C Major | 1 | 8B | 108 BPM | ||
Aria for String Quartet, Op. 9 | Mieczysław Weinberg, NOVO Quartet | G Minor | 0 | 6A | 103 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich | Robert Schumann, Leonard Bernstein, New York Philharmonic | E♭ Minor | 2 | 2A | 113 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
An Wasserflüssen Babylon, BWV 653b | Johann Sebastian Bach, Jonathan Freeman-Attwood, Daniel-Ben Pienaar | C Major | 2 | 8B | 156 BPM | ||
Sonata for Horn | Paul Hindemith, Joseph Anderer, David Korevaar | D♭ Minor | 0 | 12A | 65 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Suite, Op. 157b: III. Jeu | Darius Milhaud, Jean-Marc Fessard, Frédéric Pélassy, Eliane Reyes | D Major | 1 | 10B | 85 BPM |