"Sara" by Kiyoshi Nobutoki, Kazumichi Ohno, Kyosuke Kobayashi was released on January 1, 1996. The duration of Sara is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Sara's duration is considered a little bit shorter than the average duration of a typical track. The song is number 23 out of 27 in Andeutung im Mondschein by Kazumichi Ohno, Kyosuke Kobayashi. Sara is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sara by Kiyoshi Nobutoki, Kazumichi Ohno, Kyosuke Kobayashi is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Release the (Fruit) Bats | David Whatson | E Major | 1 | 12B | 103 BPM | ||
Stabat Mater | Vivaldianno | F Minor | 1 | 4A | 107 BPM | ||
4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) | John Ireland, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Sonata No. 11 in F Major: III. Largo | Giuseppe Sammartini, Claudio Ferrarini, Accademia Farnese | D Minor | 2 | 7A | 67 BPM | ||
Kaido-tosei (Along the Coast, Conquer the East): No. 1, Takachiho | Kiyoshi Nobutoki, Tokyo National University of Fine Arts and Music Symphony Orchestra, Takuo Yuasa, Unknown Artist | C Major | 1 | 8B | 75 BPM | ||
Pièces de clavecin avec une méthode, Suite in D Major, RCT 3 (Arr. for Accordion by Janne Valkeajoki): VII. Les tourbillons | Jean-Philippe Rameau, Janne Valkeajoki | A Minor | 2 | 8A | 70 BPM | ||
Abbey Road concerto for Violin and Orchestra: VIII. Here Comes The Sun | Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | A Major | 5 | 11B | 157 BPM | ||
Sonate e Partite: No. 3, Moderato (Recomposed by Luca Astolfoni Fossi) | Francesco Lecce, Claudio Ferrarini | G Major | 1 | 9B | 73 BPM | ||
Paralisis | Marie Dassel | E Major | 0 | 12B | 77 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM |