"4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano)" by John Ireland, Gerald Peregrine, Antony Ingham had its release date on May 10, 2024. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 21 in Folk Tales, Vol. 2: British & Irish Miniatures by Gerald Peregrine, Antony Ingham, Lynda O'Connor. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 Preludes: No. 3, The Holy Boy (Version for Cello & Piano) by John Ireland, Gerald Peregrine, Antony Ingham is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde, WWV 90: VIII, Ankunft an der Burg - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Concerto for cello and orchestra no. 1 in A Minor, Op. 14 in E Flat Major: I. Allegro moderato | Georg Goltermann, Jamal Aliyev, ORF Vienna Radio Symphony Orchestra, Howard Griffiths | A Minor | 2 | 8A | 130 BPM | ||
Piano Quintet, Op. 92, SO 610: II. Andante lamentoso | Leo Ornstein, Jascha Nemtsov, Asasello Quartett | E♭ Major | 0 | 5B | 82 BPM | ||
2 Canciones mexicanas: No. 2, Estrellita (Arr. for Violin and Piano by Heifetz) | Manuel Ponce, 대니 구(Danny Koo) | B Minor | 3 | 10A | 80 BPM | ||
Variations on a Rococo Theme, Op. 33b, TH 57 b: Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | G Minor | 0 | 6A | 75 BPM | ||
淡水暮色 - 小提琴曲 | 吕思清, 盛原 | D Major | 1 | 10B | 101 BPM | ||
Rozhaki Bad | Criticalx47 | A Major | 0 | 11B | 81 BPM | ||
Divertimento from "Le baiser de la fée", K49 (Arr. Stravinsky & Dushkin for Violin & Piano): IVa. Pas de deux. Adagio | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
8 Humoresques, Op. 101, B. 187: No. 7. Poco lento e grazioso in G-Flat Major (arr. G. Saenger) | Antonín Dvořák, Gustav Saenger, Jaime Laredo, Margo Garrett | G Major | 0 | 9B | 84 BPM | ||
Schwanenlied | Fanny Mendelssohn, Aitor Llimerá, Mario Mora | G Minor | 1 | 6A | 132 BPM |