Darius Milhaud, Katia Labèque, Marielle Labèque made "Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba)" available on January 1, 1991. The duration of Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Poulenc/Milhaud: Concerto in D minor for 2 Pianos/Scaramouche etc.". In this album, this song's track order is #12. In terms of popularity, Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) by Darius Milhaud, Katia Labèque, Marielle Labèque having a テンポ of 99 with a half-time of 50 テンポ and a double-time of 198 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Rêverie, L. 68 | Claude Debussy, Menahem Pressler | F♯ Minor | 0 | 11A | 160 BPM | ||
16 Waltzes, Op. 39: 15. Waltz in A Flat | Johannes Brahms, Nelson Freire | A♭ Major | 0 | 4B | 72 BPM | ||
8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 4 in D Flat Major (Allegretto grazioso) | Antonín Dvořák, Katia Labèque, Marielle Labèque | E Minor | 0 | 9A | 66 BPM | ||
Vagiorko mai / Don't You Love Me? | Traditional, Khatia Buniatishvili | C Minor | 1 | 5A | 89 BPM | ||
Suite provençale, Op. 152d: IV. Vif | Darius Milhaud, Orchestre National de Lille, Jean-Claude Casadesus | B♭ Major | 3 | 6B | 94 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Rondo capriccioso in E Major, Op. 14, MWV U 67 | Felix Mendelssohn, Murray Perahia | E Major | 1 | 12B | 113 BPM | ||
Scaramouche, Op. 165c: II. Modere | Darius Milhaud, Claude Delangle, Singapore Symphony Orchestra, Lan Shui | B♭ Major | 0 | 6B | 66 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM |