"Vagiorko mai / Don't You Love Me?" by Traditional, Khatia Buniatishvili was released on May 19, 2014. The duration of Vagiorko mai / Don't You Love Me? is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Vagiorko mai / Don't You Love Me?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Khatia Buniatishvili's "Motherland" album is number 15 out of 17. On top of that, United States appears to be the country where this track was created. Vagiorko mai / Don't You Love Me? is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Vagiorko mai / Don't You Love Me? by Traditional, Khatia Buniatishvili to be Andante (at a walking pace) because the track has a tempo of 89 テンポ, a half-time of 44テンポ, and a double-time of 178 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deborah's Theme (From "Once upon a Time in America") | Ennio Morricone, Khatia Buniatishvili | E Major | 0 | 12B | 139 BPM | ||
Drei Intermezzi, Op. 117: II. Andante non troppo e con molto espressione | Johannes Brahms, Arcadi Volodos | D♭ Major | 0 | 3B | 65 BPM | ||
The Battle Scene (From "Gladiator") | Hans Zimmer, Khatia Buniatishvili | D♭ Major | 4 | 3B | 104 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Kinderszenen, Op. 15: No. 10 Fast zu ernst | Robert Schumann, Wilhelm Kempff | G Major | 0 | 9B | 69 BPM | ||
Sibelius: 13 Pieces, Op. 76: No. 2, Étude | Jean Sibelius, Leif Ove Andsnes | A Minor | 1 | 8A | 127 BPM | ||
6 Preludes & Fugues by J.S. Bach, S. 462: No. 1, Prelude in A Minor (After BWV 543) | Franz Liszt, Khatia Buniatishvili | A Minor | 1 | 8A | 121 BPM | ||
L'entretien des Muses | Jean-Philippe Rameau, Víkingur Ólafsson | D Minor | 0 | 7A | 177 BPM | ||
Orfeo ed Euridice: Melody (arr. G. Sgambati) | Giovanni Sgambati, Christoph Willibald Gluck, Jura Margulis | D Minor | 0 | 7A | 71 BPM | ||
Après un Rêve Op.7, No.1 | Gabriel Fauré, Jules Eskin, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 1 | 4A | 96 BPM |