"[Suite en la majeur]: I. Prélude (No. 17)" by Marin Marais, François Joubert-Caillet, L'Achéron was released on June 9, 2023. With [Suite en la majeur]: I. Prélude (No. 17) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marin Marais, François Joubert-Caillet, L'Achéron's "Marais: Cinquième livre de pièces de viole" album is number 1 out of 112. On top of that, Belgium appears to be the country where this track was created. In terms of popularity, [Suite en la majeur]: I. Prélude (No. 17) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of [Suite en la majeur]: I. Prélude (No. 17) by Marin Marais, François Joubert-Caillet, L'Achéron to be Moderato (at a moderate speed) because the track has a tempo of 112 テンポ, a half-time of 56テンポ, and a double-time of 224 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Première suite à 3 violes in D Major: No. 4, Sarabande | Marin Marais, François Joubert-Caillet, L'Achéron | F♯ Minor | 4 | 11A | 88 BPM | ||
Harpsichord/William Byrd: Watkins Ale, Lavolta, Lord Willoughby's Welcome Home, The Carmans Whistle | William Byrd, Trevor Pinnock | C Major | 2 | 8B | 103 BPM | ||
Concerto VII in F Major: IV. Allegro | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Ouverture in E Minor: II. Air (1) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 0 | 7A | 96 BPM | ||
Cazzati: Capriccio sopra sette note | Maurizio Cazzati, Christina Pluhar, L'Arpeggiata | C Major | 2 | 8B | 118 BPM | ||
18 Sonatas in 1, 2, 3 Parts: Sonata seconda | Giovanni Battista Fontana, Enrico Onofri, Imaginarium, Alessandro Palmeri | C Minor | 0 | 5A | 81 BPM | ||
Ground in A Minor | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | B Major | 4 | 1B | 98 BPM | ||
Scarlatti, D: Keyboard Sonata in D Minor, Kk. 32 | Domenico Scarlatti, Scott Ross | E Minor | 3 | 9A | 97 BPM | ||
Ouverture in G Minor: V. Fantaisie | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Minor | 2 | 4A | 103 BPM | ||
29 Partite sopra l'aria della Folia (Arr. for Recorder, Cello, Harpsichord & Guitar by D. Oberlinger) | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | D♭ Minor | 2 | 12A | 129 BPM |