"Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano]" by Camille Saint-Saëns, Clara Rockmore, Nadia Reisenberg was released on January 1, 1987. The duration of Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano] is about 3 minutes long, at 3:02. Based on our data, "Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Rachmaninov, S.: Vocalise / Saint-Saens, C.: Le Cygne / Falla, M.: El Amor Brujo / Achron, J.: Hebrew Melody (The Art of the Theremin)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. In terms of popularity, Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano] is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals, XIII. Le Cygne (the Swan): Le carnaval des animaux: No. 12, Le cygne [arr. For theremin and piano] by Camille Saint-Saëns, Clara Rockmore, Nadia Reisenberg having a テンポ of 93 with a half-time of 46 テンポ and a double-time of 186 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melody | Joseph Moiseyevich Schillinger, Lydia Kavina, Joshua Pierce | B♭ Minor | 1 | 3A | 0 BPM | ||
G Song | Terry Riley | G Minor | 3 | 6A | 74 BPM | ||
O vis eternitatis | Hildegard von Bingen, Sequentia, Barbara Thornton | A Minor | 1 | 8A | 62 BPM | ||
i close the door upon myself. | Susumu Yokota | B♭ Major | 7 | 6B | 92 BPM | ||
Across the Lake of the Ancient World - Instrumental | Terry Riley | B Minor | 1 | 10A | 55 BPM | ||
Deep Hockets | Stuart Dempster, Pauline Oliveros, David Gamper, Deep Listening Band | D Minor | 1 | 7A | 89 BPM | ||
Fleeting Smile | Roger Eno | D Major | 0 | 10B | 65 BPM | ||
The Sinking of the Titanic: 3. Hymn II | Gavin Bryars, Gavin Bryars Ensemble | A♭ Major | 0 | 4B | 82 BPM | ||
The Swan (Arr. for Piano) | Music Lab Collective, Camille Saint-Saëns | G Major | 0 | 9B | 111 BPM | ||
Saint-Saëns: 6 Études, Op. 111: No. 4, Les cloches de Las Palmas | Camille Saint-Saëns, Bertrand Chamayou | D♭ Minor | 1 | 12A | 133 BPM |