"O vis eternitatis" by Hildegard von Bingen, Sequentia, Barbara Thornton was released on 1994. Since O vis eternitatis is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 91 in the song's album "Sequentia: Hildegard von Bingen". In this album, this song's track order is #1. O vis eternitatis is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O vis eternitatis by Hildegard von Bingen, Sequentia, Barbara Thornton having a テンポ of 62 with a half-time of 31 テンポ and a double-time of 124 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viderunt omnes... (2-part organum) | Léonin, Tonus Peregrinus, Antony Pitts | A♭ Major | 1 | 4B | 135 BPM | ||
Dominus Vobiscum | The Chamber Choir Eesti Projekt | D Major | 1 | 10B | 111 BPM | ||
Matthäus-Passion, BWV 244, Erster Teil: 1. Chorus I & II "Kommt, ihr Töchter, helft mir klagen" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe | E♭ Minor | 2 | 2A | 87 BPM | ||
O splendidissima gemma (Antiphon to Maria) [With canticum: Magnificat anima mea dominum (V fol. 154)] | Hildegard von Bingen, Sequentia, Benjamin Bagby | A Minor | 0 | 8A | 87 BPM | ||
In Nomine | John Taverner, The Rose Consort Of Viols | E Major | 0 | 12B | 108 BPM | ||
Boat Song (Recent Ruins) | Meredith Monk, Robert Een | E Minor | 0 | 9A | 145 BPM | ||
Requiem, Op. 48: In Paradisum | Gabriel Fauré, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Philip Langshaw | D Major | 1 | 10B | 129 BPM | ||
Missa l'homme armé super voces musicales: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 1 | 8A | 79 BPM | ||
Vier letzte Lieder, TrV 296: 4. Im Abendrot | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | B♭ Major | 1 | 6B | 78 BPM | ||
Lamento della ninfa, SV 163: Amor, amor | Claudio Monteverdi, Simone Kermes, Enrico Casazza, La Magnifica Comunità | A Minor | 1 | 8A | 95 BPM |