"Requiem, Op. 48: In Paradisum" by Gabriel Fauré, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Philip Langshaw was released on March 15, 1999. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 8 in Faure : Réquiem, Op. 48 by Ludwig van Beethoven, Tetzlaff Quartet, Silent Track, Johannes Brahms, Leonard Bernstein, Gabriel Fauré, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Philip Langshaw. Based on our statistics, Requiem, Op. 48: In Paradisum's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 48: In Paradisum by Gabriel Fauré, Orchestre & Chorale Paul Kuentz, Barbara Schlick, Philip Langshaw is Allegro (fast, quick, and bright), since this song has a tempo of 129 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Glassworks: Opening | Philip Glass, Víkingur Ólafsson | E♭ Major | 0 | 5B | 213 BPM | ||
Atlas - Part 3: Invisible Light: Earth Seen From Above | Meredith Monk, Vocal Ensemble, Wayne Hankin | A♭ Major | 0 | 4B | 126 BPM | ||
Suite No. 3, P. 172: I. Italiana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
Beau Soir, L.6 | Mischa Maisky, Claude Debussy, Daria Hovora | F♯ Minor | 1 | 11A | 71 BPM | ||
Os justi | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | C Major | 0 | 8B | 168 BPM | ||
Liturgical Chants: 4 Spiritual Songs: Cherubic Song | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 80 BPM | ||
Illumina faciem tuam | Carlo Gesualdo, Oxford Camerata, Jeremy Summerly | F Major | 1 | 7B | 128 BPM | ||
Madrigal, Op. 35 | Gabriel Fauré, Netherlands Chamber Choir, Limburg Symphony Orchestra, Ed Spanjaard | D Minor | 0 | 7A | 134 BPM | ||
Orff: Carmina Burana: In Trutina | Carl Orff, Kate Royal, Edward Gardner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 70 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM |