"The Bartered Bride, JB 1:100: Three Dances: Furiant. Allegro energico" by Bedřich Smetana, Leonard Bernstein, New York Philharmonic was released on March 2, 2018. The duration of The Bartered Bride, JB 1:100: Three Dances: Furiant. Allegro energico is about two minutes long, specifically at 2:12. This song does not appear to have any foul language. The Bartered Bride, JB 1:100: Three Dances: Furiant. Allegro energico's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Leonard Bernstein, New York Philharmonic's "Leonard Bernstein Conducts Dvorák and Smetana (Remastered)" album is number 6 out of 8. On top of that, United States appears to be the country where this track was created. In terms of popularity, The Bartered Bride, JB 1:100: Three Dances: Furiant. Allegro energico is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Bartered Bride, JB 1:100: Three Dances: Furiant. Allegro energico by Bedřich Smetana, Leonard Bernstein, New York Philharmonic to be Andante (at a walking pace) because the track has a tempo of 93 テンポ, a half-time of 46テンポ, and a double-time of 186 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schluss | Fanny Mendelssohn, Heather Schmidt | C Major | 0 | 8B | 118 BPM | ||
Nocturne No.3 In B, Op.9 No.3 | Frédéric Chopin, Maurizio Pollini | F♯ Major | 0 | 2B | 68 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Meditace na staročeský 'Svatý Václave', Op. 35a | Antonín Dvořák, Leoš Janáček, Josef Suk, Bohuslav Martinů, Bedřich Smetana, Ciconia Consort, Dick van Gasteren | A Minor | 1 | 8A | 95 BPM | ||
Czech Dances, Book 2, "Hulán" | Bedřich Smetana, Kathryn Stott | A Major | 0 | 11B | 68 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
The Bartered Bride: ACT I, Scene 4. Krušina, Ludmila, Kecal Tu ji máme | Bedřich Smetana, Svatopluk Sem, Stanislava Jirku, Jozef Benci, Jiří Bělohlávek, BBC Symphony Orchestra | F Major | 1 | 7B | 61 BPM | ||
Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM |