"Les Contes d'Hoffmann (2003 - Remaster), Act III: Cher ange! (Dapertutto/Giulietta)" by Jacques Offenbach, Elisabeth Schwarzkopf/Ernest Blanc/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire was released on 1965. With Les Contes d'Hoffmann (2003 - Remaster), Act III: Cher ange! (Dapertutto/Giulietta) being less than two minutes long, at 1:18, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Offenbach: Les Contes d'Hoffmann". In this album, this song's track order is #3. The popularity of Les Contes d'Hoffmann (2003 - Remaster), Act III: Cher ange! (Dapertutto/Giulietta) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Contes d'Hoffmann (2003 - Remaster), Act III: Cher ange! (Dapertutto/Giulietta) by Jacques Offenbach, Elisabeth Schwarzkopf/Ernest Blanc/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire having a テンポ of 172 with a half-time of 86 テンポ and a double-time of 344 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Serenade No. 2 in A Major, Op. 16: 2. Scherzo. Vivace | Johannes Brahms, Royal Concertgebouw Orchestra, Bernard Haitink | A Major | 1 | 11B | 179 BPM | ||
The Carnival of the Animals, R. 125: VII. Aquarium | Camille Saint-Saëns, Arthur Fiedler, Boston Pops Orchestra | A Minor | 3 | 8A | 67 BPM | ||
Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
Orchestral Suite No. 2 In B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Aurèle Nicolet, Münchener Bach-Orchester, Karl Richter | B Minor | 4 | 10A | 115 BPM | ||
Les Contes d'Hoffmann / Act 2: Là! dors en paix | Jacques Offenbach, Gérard Friedmann, Plácido Domingo, Paul Crook, Orchestre National De France, Seiji Ozawa | C Major | 1 | 8B | 114 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Sylvia: Act I: Valse lente | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | A♭ Major | 0 | 4B | 111 BPM | ||
Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM |