Philharmonia Slavonica, Henry Adolph made "Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: V. & VI. Bourrée II & Polonaise (Double)" available on November 27, 2011. The duration of Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: V. & VI. Bourrée II & Polonaise (Double) is about 3 minutes long, at 3:03. Based on our data, "Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: V. & VI. Bourrée II & Polonaise (Double)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 1-2-3 - A Bach Experience, so we believe that "Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: V. & VI. Bourrée II & Polonaise (Double)" is a single. Based on our statistics, Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: V. & VI. Bourrée II & Polonaise (Double)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Suite for Orchestra No.2 in B minor for Flute and Strings, BWV 1067: V. & VI. Bourrée II & Polonaise (Double) by Philharmonia Slavonica, Henry Adolph is Allegro (fast, quick, and bright), since this song has a tempo of 126 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Klavier-Quintett, A-Dur, op. 114, D 667: Andante | Caspar Da Salo Quintett | C Major | 0 | 8B | 104 BPM | ||
Mozart: Requiem in D Minor, K. 626: VI. Recordare | Nikolaus Harnoncourt, Vienna State Opera Chorus | F Major | 1 | 7B | 131 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
Holst: The Planets, Op. 32: II. Venus, the Bringer of Peace (Conclusion) | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | D Minor | 2 | 7A | 142 BPM | ||
Suite bergamasque: III. Clair de lune (Arr. A. Caplet for orchestra) | Claude Debussy, Leipzig Radio Symphony Orchestra, Max Pommer | B♭ Major | 2 | 6B | 106 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: III. [Allegro] | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 4 | 12B | 151 BPM | ||
Romance for Violin & Orchestra No.1 G Major Op.40 | Alberto Lizzio, Philharmonica Slavonica, Ivan Czerkov | G Major | 1 | 9B | 120 BPM | ||
Nocturne No. 2 in D-Flat Major, Op. 27 | Frédéric Chopin, Peter Schmalfuss | D♭ Major | 0 | 3B | 63 BPM | ||
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Alla Hornpipe | I Musici Di San Marco, Alberto Lizzio | D Major | 3 | 10B | 119 BPM |