Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin made "The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters" available on August 8, 2013. With The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 26 out of 31. The popularity of The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Vivace (lively and fast) because the track has a tempo of 169 テンポ, a half-time of 84テンポ, and a double-time of 338 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem for my Friend: Lacrimosa Day of Tears | Filharmonie Brno | D Minor | 1 | 7A | 124 BPM | ||
Ruth: Then Naomi, in praise of Ruth, told me… | Franz Waxman, George Shirley, Berlin Radio Symphony Orchestra, Lawrence Foster | D♭ Minor | 0 | 12A | 143 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Agony / Waltz | Alfred Schnittke, State USSR Cinema Orchestra, Eri Klas | D♭ Major | 2 | 3B | 89 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Moving to the Ghetto Oct. 31, 1940 | Wojciech Kilar, Tadeusz Strugala, The Warsaw Philharmonic National Orchestra of Poland | A Minor | 0 | 8A | 101 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
King's Row (Suite) | Charles Gerhardt, RCA Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Peter und der Wolf, Op. 67: II. Eines Morgens öffnete Peter das Gartentor | Sergei Prokofiev, Barbara Schöneberger, Berlin Radio Symphony Orchestra | G Major | 0 | 9B | 83 BPM | ||
The Age of Innocence | Elmer Bernstein | C Minor | 3 | 5A | 78 BPM |