"Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins" by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis was released on February 9, 2024. With Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins being less than two minutes long, at 1:15, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 94 in Elisabeth Jacquet de la Guerre: Céphale et Procris by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis, Chœur De Chambre De Namur. Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Céphale et Procris, Prologue: Marche pour Nérée et les Dieux Marins by Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis is Adagio (slowly with great expression), since this song has a tempo of 75 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, LWV 53, Act I: On voit dans ces campagnes (Atys) | Jean-Baptiste Lully, Reinoud Van Mechelen, Les Talens Lyriques, Christophe Rousset | B♭ Major | 2 | 6B | 119 BPM | ||
Bembo: Habbi pietà di me | Antonia Bembo, Christina Pluhar, L'Arpeggiata, Céline Scheen | E Minor | 1 | 9A | 70 BPM | ||
Sonata in E Minor, Op. 5, No. 8 (arr. W. Babell): I. Preludio: Largo | William Babell, Arcangelo Corelli, Stefan Temmingh, Olga Watts | E♭ Minor | 2 | 2A | 110 BPM | ||
Corrente dicha la Cuella | Andrea Falconieri, La Ritirata, Josetxu Obregon | A Minor | 2 | 8A | 105 BPM | ||
Suite No. 5 in G minor for recorder & b.c. – Allemande | Pierre-Danican Philidor, László Rózsa, Jonathan Rees, Alex McCartney | F♯ Minor | 1 | 11A | 80 BPM | ||
Marais: Pièces en trio: Suite No. 5 en mi mineur: V. Sarabande en rondeau | Marin Marais, Ensemble Amalia | C Major | 3 | 8B | 70 BPM | ||
Sei Introduttioni teatrali, Op. 4, No. 3: II. Andante, sempre Piano | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 1 | 12B | 80 BPM | ||
Ballo del Granduca | Anonymous, Luigi Accardo | A Minor | 2 | 8A | 129 BPM | ||
Ho vinto, Amor (I) | Tommaso Carapella, Cappella Mediterranea, Leonardo García-Alarcón, Léo Fernique, Valerio Contaldo | B♭ Minor | 0 | 3A | 110 BPM | ||
Trio Sonata in C Major, BuxWV 256: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | B Major | 2 | 1B | 75 BPM |