Johann Jakob Froberger, Gustav Auzinger's 'Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6' came out on April 26, 2024. With Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Auzinger's "Hart 1627" album is number 19 out of 34. On top of that, Germany appears to be the country where this track was created. The popularity of Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasia I sopra Ut-Re-Mi-Fa-Sol-La, FbWV 201: VII. Pt. 6 by Johann Jakob Froberger, Gustav Auzinger to be Vivace (lively and fast) because the track has a tempo of 176 テンポ, a half-time of 88テンポ, and a double-time of 352 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 103 - Versus IV | Sietze de Vries | C Major | 0 | 8B | 136 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 7, La douceur | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Ricercar XIX | Paolo Quagliati, Le Poème Harmonique, Vincent Dumestre | E♭ Minor | 0 | 2A | 113 BPM | ||
Prelude & Fugue in A Minor, WoO 9: II. Fugue | Johannes Brahms, Konstantin Volostnov | A Minor | 0 | 8A | 75 BPM | ||
Clarifica me Pater I | William Byrd, Nicolas Haigh, Jeremy Filsell | E♭ Major | 2 | 5B | 85 BPM | ||
Suffer at 3100m | Michelle Legauffe | A Major | 2 | 11B | 111 BPM | ||
Aria in D Minor "Rofilis", BuxWV 248 | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Nun komm, der Heiden Heiland, BuxWV 211 | Dietrich Buxtehude, Bine Katrine Bryndorf | G Minor | 0 | 6A | 68 BPM | ||
Sonata in C Major, Op. 5, No. 10 (arr. W. Babell and M. Blavet): II. Allemanda: Allegro (arr. W. Babell) | William Babell, Michel Blavet, Arcangelo Corelli, Stefan Temmingh, Olga Watts | B Major | 1 | 1B | 109 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM |