Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery's 'La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls' came out on January 1, 1991. The duration of La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Orchestra of the Royal Opera House, Covent Garden, John Lanchbery, National Philharmonic Orchestra, Richard Bonynge's "Hérold: La fille mal gardée; LeCocq: Mam'zelle Angot" album is number 8 out of 43. On top of that, United Kingdom appears to be the country where this track was created. La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls by Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | B♭ Major | 1 | 6B | 105 BPM | ||
Cinderella-Suite Nr. 1, Op. 107: III. Quarrel | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Minor | 2 | 7A | 77 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Louisina Polka in E-Flat Major, JB 1:1 | Bedřich Smetana, Jan Novotný | E♭ Major | 1 | 5B | 107 BPM | ||
Coppélia / Tableau 2: No.11 Musique des automates - scène | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 1 | 12B | 86 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
In the Steppes of Central Asia | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | A Major | 0 | 11B | 69 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM |