"Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Prelude (Peer Gynt's Journey Home)" by Paavo Berglund had its release date on August 16, 2013. The duration of This song is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Prelude (Peer Gynt's Journey Home)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Paavo Berglund's "Icon - Paavo Berglund" album is number 8 out of 56. Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Prelude (Peer Gynt's Journey Home) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Prelude (Peer Gynt's Journey Home) by Paavo Berglund to be Adagio (slowly with great expression) because the track has a tempo of 72 テンポ, a half-time of 36テンポ, and a double-time of 144 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: Symphonic Variations in C Major, Op. 78, B. 70: Finale | Antonín Dvořák, Wolfgang Sawallisch, Philadelphia Orchestra | D Major | 2 | 10B | 108 BPM | ||
Masques et bergamasques Suite, Op. 112: I. Ouverture: Allegro molto vivo | Gabriel Fauré, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 1 | 7B | 133 BPM | ||
Tosca (arr. for orchestra): Tosca, Act II: Vissi d'arte (arr. for orchestra) | Anonymous , Giacomo Puccini, Sofia Philharmonic Orchestra, Emil Tabakov | E♭ Major | 0 | 5B | 83 BPM | ||
From Shakespeare, Op. 76: I. Introduction. Andante moderato "Zas, mrtvé postavy, mne oblétáte…" | Josef Bohuslav Foerster, Janacek Philharmonic Orchestra, Marek Štilec | G Major | 0 | 9B | 113 BPM | ||
Copland: Suite from Appalachian Spring: IV. The Revivalist and His Flock. Fast (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Suite from Mam'zelle Angot (Arranged and Orchestrated by Gordon Jacob), Act I: No. 1, Allegro | Alexandre Lecocq, Estonian National Symphony Orchestra, Neeme Järvi | F Minor | 1 | 4A | 135 BPM | ||
crazy | ismet cerepi | F Minor | 1 | 4A | 114 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Introduction | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine | G Minor | 1 | 6A | 107 BPM | ||
Carmina | True LUFS Project | C Major | 2 | 8B | 90 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: X. Andante molto tranquillo (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM |