"Libera me in C Minor, HocJ E.2: I. Libera me" by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen had its release date on April 3, 2020. The duration of This song is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Libera me in C Minor, HocJ E.2: I. Libera me's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Niccolò Jommelli, Il Gardellino, Peter Van Heyghen's "Jommelli: Missa pro Defunctis, Libera me & Miserere" album is number 23 out of 50. Based on our statistics, Libera me in C Minor, HocJ E.2: I. Libera me's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Libera me in C Minor, HocJ E.2: I. Libera me by Niccolò Jommelli, Miriam Feuersinger, Il Gardellino, Gaia Petrone, Peter Van Heyghen to be Allegro (fast, quick, and bright) because the track has a tempo of 142 テンポ, a half-time of 71テンポ, and a double-time of 284 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Missa S. Marcellini: XI. Amen - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 86 BPM | ||
L'Uccellatrice, Pt. 1: Part I: Eh dico, dove andate … (Don Narciso, Mergellina) | Niccolò Jommelli, Filippo Pina Castiglioni, Piacenza Philharmonic Orchestra, Daniela Favi Borgognoni, Marco Fracassi | B♭ Major | 1 | 6B | 105 BPM | ||
Ihr lieben Christen, freut euch nun, BuxWV 66: II. Choral: "Ihr lieben Christen" | Dietrich Buxtehude, Antonia Bourvé, Les Favorites, Vocalensemble Rastatt, Holger Speck | G Major | 2 | 9B | 129 BPM | ||
Solomon, HWV 67, Act III: No. 58 Air "Will the sun forget to streak" (Queen) | George Frideric Handel, Akademie für Alte Musik Berlin, Daniel Reuss, Carolyn Sampson | E♭ Minor | 0 | 2A | 95 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Te Deum: II. Te gloriosus apostolorum chorus | Giovanni Bononcini, Owen Rees, Esther Lay, Helen Charlston | B Minor | 2 | 10A | 71 BPM | ||
Te Deum "de Lyon": XIV. Et rege eos | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
King Arthur: Act V, sc. 2 : Fairest Isle | Henry Purcell, Alfred Deller, Wieland Kuijken, William Christie | B Major | 1 | 1B | 86 BPM | ||
Stabat Mater in F Minor, G. 532: I. Stabat Mater dolorosa. Grave assai | Luigi Boccherini, Núria Rial, Orchester Le Phenix | C Major | 0 | 8B | 104 BPM |