Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas made "Te Deum "de Lyon": XIV. Et rege eos" available on January 5, 2024. With Te Deum "de Lyon": XIV. Et rege eos being less than two minutes long, at 1:02, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 23 out of 28 in Charpentier & Desmarest: Te Deum by Ensemble les Surprises, Louis-Noël Bestion de Camboulas. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Te Deum "de Lyon": XIV. Et rege eos is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Te Deum "de Lyon": XIV. Et rege eos by Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas is Andante (at a walking pace), since this song has a tempo of 106 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Popularis: II. Gloria | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | F Major | 2 | 7B | 129 BPM | ||
Missa Sancti Spiritus, ZWV 4: Osanna in excelsis | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | B Major | 3 | 1B | 98 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Libera me in C Minor, HocJ E.2: III. Dum veneris iudicare | Niccolò Jommelli, Il Gardellino, Gudrun Sidonie Otto, Helen Charlston, Daniel Johannsen, Sebastian Myrus, Peter Van Heyghen | E Minor | 1 | 9A | 98 BPM | ||
Paulus: II. Teil: Nr. 27 Rezitativ T "Da aber die Juden das Volk sahn" - Chor "So spricht des Herr" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe, James Taylor | B♭ Major | 1 | 6B | 170 BPM | ||
Paulus: II. Teil: Nr. 35 Rezitativ & Aria TB "Da das die Apostel hörten" - "Ihr Männer" - Chor "Aber unser Gott ist im Himmel" | Felix Mendelssohn, Collegium Vocale Gent, Matthias Goerne, James Taylor, La Chapelle Royale, Philippe Herreweghe | A♭ Major | 1 | 4B | 74 BPM | ||
Atys, LWV 53: Air "Espoir si cher et si doux" | Jean-Baptiste Lully, Véronique Gens, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 0 | 7A | 137 BPM | ||
Missa in Angustiis "Lord Nelson Mass": II. Gloria | Franz Joseph Haydn, Boston Baroque, Martin Pearlman, Mary Wilson, Abigail Fischer, Keith Jameson, Kevin Deas | F Major | 2 | 7B | 78 BPM | ||
Circe: XIV. Acte Troisième. Désirs, transports, cruelle impatience | Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Amanda Forsythe | G Major | 1 | 9B | 106 BPM | ||
Elijah, Op. 70: "Blessed Are the Men Who Fear Him" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | G Major | 2 | 9B | 124 BPM |