Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi's 'Le premier jour de bonheur, AWV 50: Overture' came out on April 26, 2024. Since Le premier jour de bonheur, AWV 50: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 15 out of 20 in Auber: Overtures, Vol. 6 by Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Le premier jour de bonheur, AWV 50: Overture is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le premier jour de bonheur, AWV 50: Overture by Daniel Auber, Karlovy Vary Symphony Orchestra, Dario Salvi is Andante (at a walking pace), since this song has a tempo of 87 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pizzicato-Polka | Johann Strauss II, Josef Strauss, Swedish Chamber Orchestra, Thomas Dausgaard | C Major | 0 | 8B | 94 BPM | ||
Ode for St. Cecilia's Day, HWV 76: VI. March - 2014 Remastered | George Frideric Handel, Rundfunkorchester Berlin, Artur Rother | A Major | 5 | 11B | 82 BPM | ||
Der Fischer und das Milchmädchen: XV. Allegro furioso | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Symphony No. 3 in E-Flat Major, Op. 97, “Rhenish”: III. Nicht schnell | Robert Schumann, Philzuid, Duncan Ward | A♭ Major | 0 | 4B | 91 BPM | ||
Der Fischer und das Milchmädchen: XVII. Vivace | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
5 German Dances with 7 Trios and Coda, D. 89: No. 1, German Dance in C Major | Franz Schubert, Daniel Hope, Zürcher Kammerorchester | C Minor | 0 | 5A | 96 BPM | ||
Christus am Ölberge, Op. 85: I. Introduzione | Ludwig van Beethoven, Orchestre des Champs-Élysées, Philippe Herreweghe | C Major | 3 | 8B | 104 BPM | ||
Zerline, S. 42 (Excerpts): Overture | Daniel Auber, Janacek Philharmonic Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 106 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Deutsche Kammerphilharmonie Bremen, Tarmo Peltokoski | G Minor | 2 | 6A | 119 BPM | ||
Giselle - Act 2: No. 10 Apparition et scène de Myrtha: a) Andante | Adolphe Adam, London Symphony Orchestra, Anatole Fistoulari | F Major | 0 | 7B | 83 BPM |