Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini's 'Wiegenliedchen, Op. 124, N. 6 (Schumann)' came out on 1995. The duration of Wiegenliedchen, Op. 124, N. 6 (Schumann) is about two minutes long, specifically at 2:45. This song does not appear to have any foul language. Wiegenliedchen, Op. 124, N. 6 (Schumann)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 19 in Berceuse / Lullaby / Wiegenlied by Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Wiegenliedchen, Op. 124, N. 6 (Schumann) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Wiegenliedchen, Op. 124, N. 6 (Schumann) by Jeanne Marie Bima, Georg Mönch & Massimiliano Damerini is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shostakovich: Cello Sonata in D Minor, Op. 40: I. Allegro non troppo | Dmitri Shostakovich, Mstislav Rostropovich | A♭ Major | 4 | 4B | 159 BPM | ||
Concerto for 2 Violins in D Minor, BWV 1043: I. Vivace | Camerata Romana, Eugen Duvier | D Minor | 3 | 7A | 91 BPM | ||
Piano Quintet in A Major, D.667 'The Trout': IV. Tema (Andantino) con variazioni 1-6 | Sviatoslav Richter, Borodin Quartet, Georg Hoertnagel | D Major | 1 | 10B | 78 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: Larghetto | Frédéric Chopin, Dmitri Kitayenko, Aleksandar Madzar, Radio-Sinfonie-Orchester Frankfurt | E Minor | 1 | 9A | 81 BPM | ||
6 Consolations, S. 172: No. 3 In D Flat Major (Lento, placido) | Franz Liszt, Tamás Vásáry | D♭ Major | 0 | 3B | 70 BPM | ||
Lyric Pieces, Book 3, Op. 43: Erotikk (Erotic) | Edvard Grieg, Einar Steen-Nøkleberg | F Major | 0 | 7B | 70 BPM | ||
12 Etudes, Op. 25: Etude No. 13 in A-Flat Major, Op. 25, No. 1, "Harp Study" | Frédéric Chopin, Freddy Kempf | B Major | 0 | 1B | 66 BPM | ||
Piano Sonata in G Minor: I. Allegro molto agitato | Fanny Mendelssohn, Beatrice Rauchs | D Major | 1 | 10B | 78 BPM | ||
L'Arlesienne Suite, Nr. 1: III. Adagietto | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 0 | 7B | 57 BPM | ||
The Seasons, Op. 37b: V. May, "White Nights" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Major | 0 | 9B | 135 BPM |