"Psalm 29: Bring unto the Lord, O ye mighty" by Henry Thomas Smart, The Choir Of Westminster Abbey, Martin Neary was released on June 28, 1991. The duration of Psalm 29: Bring unto the Lord, O ye mighty is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Psalm 29: Bring unto the Lord, O ye mighty's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "Psalm 1: Psalms from the first half of the Psalter". In this album, this song's track order is #8. Psalm 29: Bring unto the Lord, O ye mighty is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Psalm 29: Bring unto the Lord, O ye mighty by Henry Thomas Smart, The Choir Of Westminster Abbey, Martin Neary having a テンポ of 77 with a half-time of 38 テンポ and a double-time of 154 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Verbum caro factum est | Hans Leo Hassler, Gloriae Dei Cantores, Elizabeth C. Patterson | G Major | 1 | 9B | 94 BPM | ||
O Valiant Hearts | Charles Harris, The Chapel Choir of the Royal Hospital Chelsea, Chelsea Pensioners, Hugh Rowlands, William Vann | E♭ Major | 1 | 5B | 106 BPM | ||
Song for Athene | John Tavener, James O'Donnell, The Choir Of Westminster Abbey | F Major | 0 | 7B | 169 BPM | ||
Luckington "Let All the World in Every Corner Sing" | Basil Harwood, The Choir of Kings School, Canterbury, Matthew Martin, Howard Ionascu | D Major | 2 | 10B | 96 BPM | ||
Psalm 39: I said, I will take heed to my ways | James Turle, The Choir Of Westminster Abbey, Martin Neary | D Major | 0 | 10B | 129 BPM | ||
Missa Popularis: IV. Sanctus | Mårten Jansson, Chantage, Classical Pop-Ups Strings, James Davey | D Major | 2 | 10B | 92 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
All Glory, Laud and Honor | Melchior Teschner, Cathedral Choral Society, Nicholas White, Gisele Becker | C Major | 1 | 8B | 90 BPM | ||
Liturgy of St. John Chrysostom for Chorus, Op. 31: III. Second Antiphon: "The only-begotten..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | D Minor | 0 | 7A | 85 BPM | ||
Psalm 4 "Hear Me When I Call, O God of My Righteousness" | Philip Moore, Exeter Cathedral Choir, Paul Morgan, Andrew Millington | E Minor | 0 | 9A | 90 BPM |