"April England, Op. 48 No.1 (Version for Orchestra)" by John Foulds, BBC Philharmonic, Rumon Gamba was released on August 30, 2019. Since April England, Op. 48 No.1 (Version for Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 8 in British Tone Poems, Vol. 2 by BBC Philharmonic, Rumon Gamba. In terms of popularity, April England, Op. 48 No.1 (Version for Orchestra) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of April England, Op. 48 No.1 (Version for Orchestra) by John Foulds, BBC Philharmonic, Rumon Gamba is Andante (at a walking pace), since this song has a tempo of 99 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Romances sans paroles (from Six Romances sans paroles, Op. 76): No. 6, Méditation. Lento | Cécile Chaminade, Eric Parkin | F Minor | 0 | 4A | 71 BPM | ||
Puppet Ballet Suite: V. March Finale | John Foulds, BBC Concert Orchestra, Ronald Corp | A Major | 0 | 11B | 104 BPM | ||
Ten Pieces, Op. 24: Romance, Op. 24: No. 9 | Jean Sibelius, Janne Mertanen | A Major | 0 | 11B | 100 BPM | ||
Cello Sonata, Op. 6: I. Moderato quasi allegretto - Revised 1927 | John Foulds, Paul Watkins, Huw Watkins | D Major | 0 | 10B | 72 BPM | ||
Suite Bergamasque, L. 75: II. "Menuet" | Claude Debussy, Kathryn Stott | E Minor | 1 | 9A | 90 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Piano Sonata No. 1 in F Minor, Op. 6: III. Presto | Alexander Scriabin, Julius Asal | B Minor | 0 | 10A | 69 BPM | ||
Toccata | Ignaz Friedman, Johann Sebastian Bach, Roberto Cominati | D Major | 1 | 10B | 114 BPM | ||
Piano Concerto for the Left Hand No. 1: III. Var. 3 | Josef Labor, Oliver Triendl, Deutsche Staatsphilharmonie Rheinland-Pfalz, Eugene Tzigane | E♭ Major | 1 | 5B | 109 BPM | ||
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM |