"Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent was released on September 24, 2013. With this song being about 5 minutes long, at 4:34, "Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea" by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent's "Gesualdo: Responsoria 1611" album is number 2 out of 29. On top of that, Belgium appears to be the country where this track was created. Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Feria Quinta, Tenebrae Responsories for Maundy Thursday: II. Tristis est anima mea by Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Isaac: Optime Pastor - 1. Optime Divino | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 87 BPM | ||
Communion: O sacrum convivium à 5 | Andrea Gabrieli, Gabrieli, Paul McCreesh | C Major | 0 | 8B | 135 BPM | ||
Flos florum | Guillaume Dufay, Blue Heron, Scott Metcalfe | G Minor | 1 | 6A | 68 BPM | ||
Messe Et ecce terrae motus: I. Kyrie | Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson | D♭ Major | 2 | 3B | 132 BPM | ||
Tenebrae Responsories for Maundy Thursday: Seniores populi: d. Presa. Ut Jesum dolo tenerent | Carlo Gesualdo, Owain Park, The Gesualdo Six | B Major | 1 | 1B | 89 BPM | ||
Crucifixus a 8 voci | Antonio Lotti, Ensemble Zene, Bruno Kele-Baujard | C Major | 1 | 8B | 124 BPM | ||
In nomine: Rachell’s Weepinge | Christopher Tye, The Spirit of Gambo, Freek Borstlap | D♭ Minor | 0 | 12A | 81 BPM | ||
Airs à quatre parties, Livre I: Que feray-je? | Jean Boyer, Claire Lefilliâtre, Bruno Le Levreur, Serge Goubioud, Marc Mauillon, Le Poème Harmonique, Vincent Dumestre | D Minor | 2 | 7A | 76 BPM | ||
Missa Sanctae Crucis, MH 56: Gloria | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 3 | 9B | 121 BPM | ||
Ego Flos Campi | Oxford Camerata, Jacob Clemens non Papa | F♯ Major | 0 | 2B | 139 BPM |