"Messe Et ecce terrae motus: I. Kyrie" by Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson had its release date on March 1, 2014. This song is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Terra Tremuit". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Canada. Based on our statistics, Messe Et ecce terrae motus: I. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Messe Et ecce terrae motus: I. Kyrie by Antoine Brumel, Studio De Musique Ancienne De Montréal, Christopher Jackson having a テンポ of 132 with a half-time of 66 テンポ and a double-time of 264 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tota pulchra es | Jean Mouton, Alamire, David Skinner | D Minor | 3 | 7A | 128 BPM | ||
Preserve, O Lord, for Many Years, Op. 79 | Alexander Gretchaninov, Conspirare, Craig Hella Johnson | C Major | 3 | 8B | 93 BPM | ||
Brumel: Missa Berzerette savoyenne, Gloria | Antoine Brumel, Chanticleer | B Major | 1 | 1B | 130 BPM | ||
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Laudate Pueri (Psalm 112): Laudate Pueri Dominum | George Frideric Handel, Alfred Deller, The Deller Consort | D♭ Major | 1 | 3B | 93 BPM | ||
O frondens virga (Antiphona) / Psalmus XLIV | Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo | D Major | 0 | 10B | 74 BPM | ||
När natten skänker frid | Karin Rehnqvist, Stockholms Musikgymnasium Chamber Choir, Helene Stureborg | D Minor | 0 | 7A | 139 BPM | ||
Chants religieux manuscrits de la mission abénaquise de Saint-François-de-Sales (Odanak): Ego sum panis à 4 voix | Jean-Baptiste Geoffroy, Christopher Jackson, Studio de musique ancienne de Montréal | A♭ Major | 1 | 4B | 133 BPM | ||
Mass in G Minor: Agnus Dei | Ralph Vaughan Williams, Choir of St. John's College, Cambridge, George Balfour, Jack Hawkins, Gopal Kambo, William Ashford, Alfred Harrison, Andrew Nethsingha | D Major | 0 | 10B | 76 BPM |