Camille Saint-Saëns, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra's 'Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28' came out on January 1, 2000. Since Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 14 in the song's album "No Limit". In this album, this song's track order is #1. Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns / Arr. Nakariakov for Trumpet and Orchestra: Introduction and Rondo capriccioso for Violin and Orchestra in A Minor, Op. 28 by Camille Saint-Saëns, Sergei Nakariakov, Vladimir Ashkenazy, Philharmonia Orchestra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
The Rite of Spring: Part II, The Sacrifice - Sacrificial Dance - The Chosen Victim | Igor Stravinsky, Esa-Pekka Salonen | D Minor | 4 | 7A | 136 BPM | ||
Waltz No.1 in E Flat, Op.18 -"Grande valse brillante" | Frédéric Chopin, Vladimir Ashkenazy | A♭ Major | 1 | 4B | 131 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Thaïs: Médiation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
Tritsch-Tratsch-Polka, Op. 214 - Arranged By György Cziffra | Johann Strauss II, Yuja Wang | E Major | 2 | 12B | 95 BPM | ||
Symphony No. 3 in C Minor, Op. 78, R. 176 "Organ Symphony": Ib. Poco adagio | Camille Saint-Saëns, Jan Kraybill, Kansas City Symphony, Michael Stern | D♭ Major | 0 | 3B | 96 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo: Allegretto | Carl Maria von Weber, Charles Neidich, Orpheus Chamber Orchestra | F Major | 1 | 7B | 147 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM |