"Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach"" by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Frits Vanhulle, Ian Bostridge, Franz-Joseph Selig was released on 1999. The duration of Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach" is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 11 out of 68. Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Matthäus-Passion, BWV 244, Erster Teil: 11. Evangelista, Jesus, Judas "Er antwortete und sprach" by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Frits Vanhulle, Ian Bostridge, Franz-Joseph Selig to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lobet den Herrn alle Heiden, BWV 230 | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod | A Major | 2 | 11B | 81 BPM | ||
Concerto For 2 Keyboards In C Major, BWV 1061: III. Vivace | Cologne Chamber Orchestra, Christoph Anselm Noll, Gerald Hambitzer, Johann Sebastian Bach | A Minor | 3 | 8A | 98 BPM | ||
Cantate BWV 175 "Er Rufet Sernen Schafen Mit Namen": II. Aria | Johann Sebastian Bach, Christophe Coin, Ensemble Baroque De Limoges, Concerto Vocale De Leipzig, Gotthold Schwarz, Andreas Scholl | D♭ Major | 2 | 3B | 142 BPM | ||
Matthäus Passion, Prima Parte: 20. Aria (Tenor) With Chorus: Ich Will Bei Meinem Jesu Wachen | Stephen Cleobury, Choir of King's College, Cambridge, Johann Sebastian Bach, Emma Kirkby, Rogers Covey-Crump, Michael George, Martyn Hill, Michael Chance, David Thomas | B Minor | 1 | 10A | 73 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
I. Gott Ist Mein König BWV 71, 7. Choral (Coro): Das Neue Regiment | Holland Boys Choir, Netherlands Bach Collegium, Katherin Steddon, Sytse Buwalda, Bas Ramselaar, Anneke Boeke, Knut Schoch, Frank Aarnink, Ofer Frenke, Johann Sebastian Bach, Ruth Holton, Peter Frankenberg, Pieter Jan Leusink | D♭ Major | 1 | 3B | 83 BPM | ||
III. Freue Dich, Erlöste Schar BWV 30, Prima Parte, (1) Coro: Freue Dich, Erlöste Schar | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Oeds Van Middelkoop, Susanne Grutzmacher, Johann Sebastian Bach, Sytse Buwalda, Doretthe Janssens, Ruth Holton, Nico Van Der Meel, Pieter Jan Leusink | D♭ Major | 2 | 3B | 85 BPM | ||
I. Nun Danket Alle Gott BWV 192, (2) Aria (Duetto: Soprano, Basso): Der Ewig Reiche Gott | Pieter Jan Leusink, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium, Johann Sebastian Bach, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Kate Clark, Marjon Strijk | D♭ Major | 3 | 3B | 53 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge | F♯ Major | 1 | 2B | 102 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen" | Johann Sebastian Bach, Nikolaus Harnoncourt, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | A♭ Major | 0 | 4B | 112 BPM |