"A Child of our Time, Part II: The Boy sings in his Prison. My dreams are all shattered in a ghastly reality (Tenor)" by Michael Tippett, Joshua Stewart, BBC Symphony Orchestra, Andrew Davis was released on May 3, 2024. The duration of A Child of our Time, Part II: The Boy sings in his Prison. My dreams are all shattered in a ghastly reality (Tenor) is about 3 minutes long, at 3:02. Based on our data, "A Child of our Time, Part II: The Boy sings in his Prison. My dreams are all shattered in a ghastly reality (Tenor)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 32 in the song's album "Tippett: A Child of our Time". In this album, this song's track order is #23. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, A Child of our Time, Part II: The Boy sings in his Prison. My dreams are all shattered in a ghastly reality (Tenor)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A Child of our Time, Part II: The Boy sings in his Prison. My dreams are all shattered in a ghastly reality (Tenor) by Michael Tippett, Joshua Stewart, BBC Symphony Orchestra, Andrew Davis having a テンポ of 141 with a half-time of 70 テンポ and a double-time of 282 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hamnöy 1976 I | Christian Lindberg, MIN Ensemble | A♭ Major | 6 | 4B | 99 BPM | ||
Angel, Poem-Nocturne | Theodore Akimenko, Bournemouth Symphony Orchestra, Kirill Karabits | E Major | 1 | 12B | 77 BPM | ||
Strauss, R: Der Bürger als Edelmann Suite, Op. 60-IIIa: V. Das Menuett des Lully | Richard Strauss, Sir Simon Rattle, Berliner Philharmoniker | E♭ Major | 0 | 5B | 83 BPM | ||
Te Deum: Sanctus | Johann Simon Mayr, Priska Eser-Streit, Merit Ostermann, Andreas Hirtreiter, Jorg Schneider, Robert Merwald, Simon Mayr Choir, Franz Hauk, Ingolstadt Georgian Chamber Orchestra | A♭ Minor | 2 | 1A | 125 BPM | ||
Herons Faith | Paul Edward-Francis | C Major | 0 | 8B | 169 BPM | ||
Stabat Mater, Op. 53: I. Stala Matka bolejaca (Soprano, Soprano & Alto Chorus) | Karol Szymanowski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, BBC Symphony Chorus | G Major | 2 | 9B | 67 BPM | ||
Symphony No. 5, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
The Tempest: Suite No. 2, Op. 109: VII. The Naiads | Jean Sibelius, Iceland Symphony Orchestra, Petri Sakari | C Major | 1 | 8B | 70 BPM | ||
Mass in D Major, Op. 86, B. 175: Gloria. Allegro vivo | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Václav Smetáček, Josef Veselka, Jaroslav Tvrzsky | G Major | 1 | 9B | 66 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): VI. Agnus Dei | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Major | 0 | 12B | 81 BPM |