Richard Wagner, Peter Lagger, Roland Hermann, Plácido Domingo, Dietrich Fischer-Dieskau, Peter Maus, Roberto Banuelas, Gerd Feldhoff, Klaus Lang, Loren Driscoll, Martin Vantin, Horst Laubenthal, Karl-Ernst Mercker, Miomir Nikelic, Ivan Sardi, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll, Hans Hilsdorf's 'Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen"' came out on January 1, 1976. Since Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Die Meistersinger von Nürnberg by Richard Wagner, Orchester der Deutschen Oper Berlin, Eugen Jochum. The song's track number on the album is #7 out of 44 tracks. Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" by Richard Wagner, Peter Lagger, Roland Hermann, Plácido Domingo, Dietrich Fischer-Dieskau, Peter Maus, Roberto Banuelas, Gerd Feldhoff, Klaus Lang, Loren Driscoll, Martin Vantin, Horst Laubenthal, Karl-Ernst Mercker, Miomir Nikelic, Ivan Sardi, Orchester der Deutschen Oper Berlin, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll, Hans Hilsdorf has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, WWV 96 / Act 1: "Seid meiner Treue wohl versehen" being at 80 テンポ, the half-time would be 40 テンポ with a double-time of 160 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alexander Nevsky, Op. 78: VI. Field Of The Dead | Sergei Prokofiev, Elena Obraztsova, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 77 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 21 in E Minor. Vivace (Orch. Dvořák) | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | E Minor | 4 | 9A | 80 BPM | ||
Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | ||
Die Walküre, WWV 86B / Act III: "Hojotoho! Heiaha!" | Richard Wagner, Liselotte Rebmann, Danica Mastilovic, Ingrid Steger, Lilo Brockhaus, Carlotta Ordassy, Barbro Ericson, Cvetka Ahlin, Helga Jenckel, Berliner Philharmoniker, Herbert von Karajan | G Major | 4 | 9B | 93 BPM | ||
Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro | Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques Kantorow | F Minor | 1 | 4A | 75 BPM | ||
Lohengrin, WWV 75, Act III: Prelude (Excerpt) | Richard Wagner, Russian State Symphony Orchestra, John McGlinn | G Major | 3 | 9B | 76 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM |