Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti's 'Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: No, Pagliaccio, non son (Canio/Coro/Silvio/Nedda)' came out on 1979. The duration of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: No, Pagliaccio, non son (Canio/Coro/Silvio/Nedda) is about 3 minutes long, at 3:13. Based on our data, "Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: No, Pagliaccio, non son (Canio/Coro/Silvio/Nedda)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Riccardo Muti, Philharmonia Orchestra's "Mascagni: Cavalleria Rusticana/Leoncavallo: I Pagliacci" album is number 23 out of 44. Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: No, Pagliaccio, non son (Canio/Coro/Silvio/Nedda) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci, Atto Secondo, La Commedia/The Play/Die Komödie/La comédie: No, Pagliaccio, non son (Canio/Coro/Silvio/Nedda) by Ruggero Leoncavallo, José Carreras, Philharmonia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 81 テンポ, a half-time of 40テンポ, and a double-time of 162 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I pagliacci, Mario Del Monaco: Act II- " Ridi Pagliaccio" | Mario del Monaco | E Minor | 3 | 9A | 70 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Rigoletto | Tito Gobbi | F♯ Major | 4 | 2B | 0 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
Roméo et Juliette, Act I: Ah! Je veux vivre | Charles Gounod, Pretty Yende, Giacomo Sagripanti | G Major | 3 | 9B | 78 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance II | Alexander Borodin, Choir of Mariinsky Theatre, Saint Petersburg, Paavo Järvi, Orchestre Philharmonique de Radio France | A Major | 1 | 11B | 75 BPM | ||
Radetzky March Op. 228 | Riccardo Muti, Wiener Philharmoniker | A Major | 5 | 11B | 106 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 2: "Don Giovanni, a cenar teco m'invitasti" | Wolfgang Amadeus Mozart, Vitalij Kowaljow, Ildebrando D'Arcangelo, Luca Pisaroni, Mahler Chamber Orchestra, Yannick Nézet-Séguin, Vocalensemble Rastatt | C Minor | 2 | 5A | 99 BPM | ||
Orchestral Suite No.2 in B minor, BWV1067 - Badinerie | CHA Medical Center | B Minor | 2 | 10A | 116 BPM | ||
Tannhäuser, WWV 70 - Paris version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Helga Dernesch, Victor Braun, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | E♭ Major | 1 | 5B | 80 BPM |