"Missa brevis in B-Flat Major, K. 275: II. Gloria" by Wolfgang Amadeus Mozart, Carolina Ullrich, Elvira Bill, Patrick Grahl, Dominik Koninger, Cologne Chamber Orchestra, Christoph Poppen, WDR Rundfunkchor Köln had its release date on June 28, 2024. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Missa brevis in B-Flat Major, K. 275: II. Gloria's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Cologne Chamber Orchestra, Christoph Poppen, WDR Rundfunkchor Köln's "Mozart: Complete Masses, Vol. 3" album is number 14 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Missa brevis in B-Flat Major, K. 275: II. Gloria is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa brevis in B-Flat Major, K. 275: II. Gloria by Wolfgang Amadeus Mozart, Carolina Ullrich, Elvira Bill, Patrick Grahl, Dominik Koninger, Cologne Chamber Orchestra, Christoph Poppen, WDR Rundfunkchor Köln to be Andante (at a walking pace) because the track has a tempo of 77 テンポ, a half-time of 38テンポ, and a double-time of 154 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 1. Introitus: Requiem | Wolfgang Amadeus Mozart, Sylvia McNair, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 2 | 6B | 92 BPM | ||
Mozart: Flute Quartet No. 2 in G Major, K. 285a: I. Andante | Wolfgang Amadeus Mozart, Emmanuel Pahud, Christoph Poppen, Hariolf Schlichtig, Jean-Guihen Queyras | C Major | 1 | 8B | 135 BPM | ||
L'Allegro, il Penseroso ed il Moderato, HWV 55, Part I: Chorus. Join with thee calm peace, and quiet | George Frideric Handel, Les Arts Florissants, William Christie | E Minor | 1 | 9A | 86 BPM | ||
Te Deum: XIII. In te Domine speravi | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Missa in D-Dur, KV194: Kyrie | Chor und Orchester von St. Augustin, Alexander Kaimbacher, Klemens Sander, Cornelia Horak, Martina Steffl, Andreas Pixner | D Major | 2 | 10B | 91 BPM | ||
Sacrum, R.586 - rev. Franz Giegling: 2f Gloria: (Andante) Qui tollis | Antonio Vivaldi, John Alldis Choir, English Chamber Orchestra, Vittorio Negri, Olga Hegedus, Adrian Beers, John Constable | C Major | 1 | 8B | 106 BPM | ||
Bach, CPE: Magnificat in D Minor, Wq. 215: II. Quia respexit | Carl Philipp Emanuel Bach, Geraint Jones, Jennifer Vyvyan, Geraint Jones Orchestra | D Major | 4 | 10B | 121 BPM | ||
Alceste, Wq. 44 (Excerpts): Parez vos fronts de fleurs nouvelles | Christoph Willibald Gluck, Bavarian Radio Symphony Orchestra, Serge Baudo, Jessye Norman | G Major | 0 | 9B | 84 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Te deum, LWV 55: IV. Patrem immensae majestatis | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 6 | 6B | 94 BPM |