"La Favolla d'Apollo: 20. Un guardo, un guard’appena "La Dafne"" by Marco da Gagliano, Ensemble Pygmalion, Raphael Pichon, Renato Dolcini had its release date on May 19, 2017. This song is about six minutes long, preciously at 6:23, making this song fairly long compared to other songs. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #20. In terms of popularity, La Favolla d'Apollo: 20. Un guardo, un guard’appena "La Dafne" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Favolla d'Apollo: 20. Un guardo, un guard’appena "La Dafne" by Marco da Gagliano, Ensemble Pygmalion, Raphael Pichon, Renato Dolcini having a テンポ of 101 with a half-time of 50 テンポ and a double-time of 202 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vespro della Beata Vergine, SV 206: XIIIb. Magnificat "Et exultavit spiritus meus" | Claudio Monteverdi, Philippe Herreweghe, Alexander Schneider, Bart Uvyn, Reinoud Van Mechelen, Samuel Boden, Collegium Vocale Gent | B Minor | 1 | 10A | 167 BPM | ||
Já nao podeis ser contentes | 16th century, Gérard Lesne | D Minor | 0 | 7A | 93 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM | ||
La Dafne: "Almo Dio, che'l carro ardente" | Marco da Gagliano, Margarita Preobrazhenskaya, Victor Olimpiev, Pavel Kalinin, Ludmila Urman Chamber Choir, Sándor Kallós Old Instruments Ensemble | G Major | 1 | 9B | 89 BPM | ||
Fantasia-Suite No. 8 in D Major: I. Fantazia | William Lawes, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Dies iræ, S. 31: Tuba mirum spargens sonum | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Minor | 2 | 10A | 127 BPM | ||
Missa Quadragesimalis, MH 552: Sanctus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | E Major | 0 | 12B | 84 BPM | ||
Jhon Come Kisse Me Now (Arr. Pierini for Soprano and String Quartet) | William Byrd, Claudia Barainsky, Delian Quartett | C Minor | 0 | 5A | 72 BPM | ||
La Dafne, scena prima A: Tra queste ombre segrete | Marco da Gagliano, Fuoco e Cenere, Jay Bernfeld, Chantal Santon, Guillaumette Laurens, Mathieu Abelli, Daphné Touchais | D Major | 1 | 10B | 174 BPM | ||
St. Matthew Passion, BWV 244: No. 18. Recitative: Wiewohl mein Herz in Tranen schwimmt (Soprano) | Johann Sebastian Bach, Zeger Vandersteene, Istvan Gati, Magda Kalmár, Julia Hamari, Ernst-Gerold Schramm, Jeunesses Musicales Chorus, Budapest Boys' Choir of the Primary School of Music, Franz Liszt Chamber Orchestra, Frigyes Sándor | C Major | 1 | 8B | 61 BPM |