The Broadside Band made "Shepheards Holyday or Labour in Vaine" available on 1991. The duration of Shepheards Holyday or Labour in Vaine is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Shepheards Holyday or Labour in Vaine's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 22 in English Country Dances from Playford's Dancing Master 1651-1703 by The Broadside Band. In terms of popularity, Shepheards Holyday or Labour in Vaine is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Shepheards Holyday or Labour in Vaine by The Broadside Band is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Calata ala Spagnola | Joan Ambrosio Dalza, Konrad Ragossnig, Siegfried Fink, Josef Ulsamer | B♭ Major | 2 | 6B | 115 BPM | ||
Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 99 BPM | ||
Recercadas del Trattado de Glosas: Recercada primera sobre el canto Ilano "La Spagna" | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | D Minor | 0 | 7A | 95 BPM | ||
Biber: Sonata a 7 | Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman | D♭ Major | 1 | 3B | 79 BPM | ||
Nous sommes de l'ordre de Saint Babouyn | Loyset Compère, The Broadside Band, Jeremy Barlow | F♯ Minor | 4 | 11A | 78 BPM | ||
Donna, quando pietosa / El travagliato / La gamba in basso e soprano / Amor è foco e ghiaccio | Jacques Arcadelt, Vincenzo Ruffo, Orazio Vecchi, Piffaro, Joan Kimball, Robert Wiemken | E♭ Minor | 0 | 2A | 82 BPM | ||
Telemann: Essercizii musici, Trio Sonata No. 6 for Flute, Viola da gamba and Continuo in B Minor, TWV 42:h4: I. Largo | Georg Philipp Telemann, Ton Koopman, Wilbert Hazelzet, Marc Vallon, Jaap Ter Linden | D Minor | 0 | 7A | 82 BPM | ||
Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
A Consort for Severall Friends - Suite in A Minor: VI. Jigg - Conclude Thus | Matthew Locke, Dorothee Oberlinger | A Minor | 0 | 8A | 67 BPM | ||
Branles d'ecosse | Thoinot Arbeau, The Broadside Band, Jeremy Barlow | A Minor | 3 | 8A | 114 BPM |