Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman's 'Biber: Sonata a 7' had a release date set for January 1, 1999. This song is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The song is number 3 out of 8 in Biber: Missa salisburgensis by Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Biber: Sonata a 7 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Biber: Sonata a 7 by Heinrich Ignaz Franz von Biber, Amsterdam Baroque Orchestra, Ton Koopman is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
Hasse: Demofoonte, Sinfonia: III. Presto | Johann Adolf Hasse, Julien Chauvin, Le Concert de la Loge | D♭ Major | 3 | 3B | 159 BPM | ||
Choralvorspiel und Fuge über "O Traurigkeit, o Herzeleid" WoO 7: Choralvorspiel | Clara Schumann, Anders Eidsten Dahl | E Major | 0 | 12B | 136 BPM | ||
Trumpet Sonata in D Major: VI. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | B Major | 0 | 1B | 71 BPM | ||
Concerto in D Major for Trumpet, 2 Oboes, Strings and B.C. - MWV 6.32: III. Allegro | Johann Melchior Molter, Andre Schoch, Stuttgart Chamber Orchestra | D Major | 3 | 10B | 122 BPM | ||
Haydn: Symphony No. 45 in F-Sharp Minor, Hob. I:45 "Farewell": I. Allegro assai | Joseph Haydn, Amsterdam Baroque Orchestra, Ton Koopman | F Minor | 1 | 4A | 170 BPM | ||
Suite in D Major: IV. Rondeau, The Prince of Denmark’s March “Trumpet Voluntary” (Arr. Robert Minter) | Jeremiah Clarke, Tine Thing Helseth, Kåre Nordstoga | D Major | 2 | 10B | 80 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Macbeth: End of Act 4 – The Earl of Douglas’s Lament | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | B♭ Major | 1 | 6B | 136 BPM | ||
Galliard | The Royal Wind Music | F♯ Major | 2 | 2B | 139 BPM |