"Prose of the Consecration (Jerusalem et Sion Filiae)" by Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal was released on 1977. With this song being about 5 minutes long, at 5:18, "Prose of the Consecration (Jerusalem et Sion Filiae)" by Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal's "Great Hours of Liturgy at Notre-Dame in Paris" album is number 8 out of 15. On top of that, France appears to be the country where this track was created. Based on our statistics, Prose of the Consecration (Jerusalem et Sion Filiae)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Prose of the Consecration (Jerusalem et Sion Filiae) by Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal to be Allegro (fast, quick, and bright) because the track has a tempo of 129 テンポ, a half-time of 64テンポ, and a double-time of 258 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Festival Toccata | Percy Fletcher, David Dunnett | C Major | 1 | 8B | 111 BPM | ||
Vespers, Op. 43 O Gentle Light o Holy Gliry | Mikhail Ippolitov-Ivanov, Chamber Choir, Lege Artis | B Major | 0 | 1B | 71 BPM | ||
Improvised symphony in 4 movements: I. | Pierre Cochereau | G Minor | 2 | 6A | 61 BPM | ||
La liberazione di Ruggiero dall'isola d'Alcina, Prologue: Biondo Dio del bel Permesso | Francesca Caccini, Francesca Lombardi Mazzulli, Elena Biscuola, Gabriella Martellacci, Mauro Borgioni, Yiannis Vassilakis, Allabastrina, La Pifarescha, Elena Sartori | G Minor | 1 | 6A | 82 BPM | ||
Christmas “Où s’en vont ces gays bergers ?” | Nicolas Lebègue, Pierre Cochereau | E♭ Major | 3 | 5B | 91 BPM | ||
The Eyes of All Wait Upon Thee | Jean Berger, Syracuse University Singers, John Warren | E Minor | 1 | 9A | 132 BPM | ||
Rigaudon de Louis XIV in C Major | Jean-Baptiste Lully, Ian Tracey | A♭ Major | 3 | 4B | 173 BPM | ||
Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude | Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble | C Minor | 3 | 5A | 53 BPM | ||
3 Sacred Hymns: No. 1. Bogoroditse devo, raduysya, Blagodotnaya Marie (Hail Mary, full of Grace) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 1 | 5B | 69 BPM | ||
Three Shakespeare Songs: III. Over Hill. Over Dale | Ralph Vaughan Williams, Simon Phipps, Swedish Chamber Choir | A♭ Major | 4 | 4B | 118 BPM |