"Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude" by Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble was released on 1972. The duration of Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 11 in the song's album "Saint-Martin: Mass for 4 mixed voices, 2 organs and brass in E Major & Organ Works". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mass for 4 mixed voices, 2 organs and brass in E Major: IV. Interlude by Léonce de Saint-Martin, Pierre Cochereau, Jehan Revert, Choir of Notre-Dame in Paris, Denise Chirat-Comtet, Armand Birbaum Brass Ensemble having a テンポ of 53 with a half-time of 26 テンポ and a double-time of 106 テンポ, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Cantuariensis, Op. 59: I. Kyrie | Edmund Rubbra, The Sixteen / Harry Christophers, Harry Christophers | B Major | 1 | 1B | 135 BPM | ||
Six Organ Sonatas Op. 65: Sonata 5: I. Andante | Felix Mendelssohn, Anders Eidsten Dahl | C Major | 1 | 8B | 74 BPM | ||
Piano Concerto No. 2: Lento | George Lloyd, Martin Roscoe, BBC Philharmonic | D Major | 0 | 10B | 62 BPM | ||
To War | Federico Jusid | D Minor | 1 | 7A | 71 BPM | ||
Miserere a 9: No. 2, Et secundum multitudinem - Amplius lava me | Gregorio Allegri, Tommaso Bai, Marie-Pierre Wattiez, Brigitte Vinson, Christophe Laporte, Vincent Darras, François Fauche, Catherine Greuillet, Sophie Decaudaveine, Gemma Coma-Alabert, Bruno Boterf | B Minor | 0 | 10A | 136 BPM | ||
Coronation March | Giacomo Meyerbeer, Huw Williams | E♭ Major | 3 | 5B | 102 BPM | ||
Allegro ma non troppo | Alexandre Pierre François Boëly, Maxime Heintz | F Minor | 3 | 4A | 163 BPM | ||
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Partita Hos Gud er idel glede, Op. 44: IV. Var 3 | Knut Nystedt, Anders Eidsten Dahl | E♭ Major | 0 | 5B | 69 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM |