On December 10, 2013, the song "Zapateado from La Tempranica" was released by Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos. With Zapateado from La Tempranica being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "La Zarzuela - 100 Momentos Antológicos" album is number 82 out of 100. On top of that, United Kingdom appears to be the country where this track was created. Zapateado from La Tempranica is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Zapateado from La Tempranica by Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos to be Adagio (slowly with great expression) because the track has a tempo of 74 テンポ, a half-time of 37テンポ, and a double-time of 148 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Sonnambula / Act 2: Ah, non credea mirarti | Vincenzo Bellini, Cecilia Bartoli, International Chamber Soloists, Orchestra La Scintilla, Ádám Fischer | A Minor | 1 | 8A | 109 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Berlioz: Les Nuits d'été, Op. 7, H 81b: I. Villanelle, H 82b | Hector Berlioz, Théophile Gautier, Véronique Gens/Louis Langree/Orchestre de l'Opéra National de Lyon, Louis Langrée, Orchestre De L'Opéra National De Lyon | A Major | 1 | 11B | 134 BPM | ||
Granados: 12 Tonadillas en estilo antiguo: No. 7, El tra-la-la y el punteado | Enrique Granados, Victoria de los Ángeles, Gonzalo Soriano | D♭ Major | 0 | 3B | 81 BPM | ||
Debussy: Fêtes galantes, Livre I, CD 86, L. 80: I. En sourdine | Claude Debussy, Victoria de los Ángeles, Gonzalo Soriano | F♯ Major | 0 | 2B | 113 BPM | ||
La fille du régiment / Act 1: "Ah! mes amis, quel jour de fête!" | Gaetano Donizetti, Juan Diego Flórez, Nikola Mijailovic, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | F Major | 1 | 7B | 134 BPM | ||
Toldrà: Anacreòntica | Eduard Toldrà, Victoria de los Ángeles, Antonio Ros-Marbà, Patronato Orquesta Ciudad de Barcelona | E♭ Minor | 1 | 2A | 80 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Faust - Acte III : Je Voudrais Bien Savoir. Il Était Un Roi De Thulé (Marguerite) | André Cluytens, Orchestre National de l’Opéra de Paris, Victoria de los Ángeles | A Minor | 0 | 8A | 84 BPM | ||
Cinco canciones playeras españolas (2004 Digital Remaster): II. Pregon | Oscar Esplß, Victoria de los Ángeles, Rafael Frhbeck de Burgos, Rafael Frühbeck de Burgos, Orchestre De La Socit Des Concerts Du Conservatoire, Orchestre De La Société Des Concerts Du Conservatoire | D♭ Major | 1 | 3B | 88 BPM |