"Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale" by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer was released on July 15, 2014. The duration of Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #8. Based on our statistics, Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia (The Barber of Seville): Act IV: Temporale by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a テンポ of 128 with a half-time of 64 テンポ and a double-time of 256 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giulio Cesare / Act 2: "V'adoro, pupille" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 1 | 12B | 72 BPM | ||
Piano Concerto No. 2 in D Minor, Op. 40, MWV O11: III. Finale. Presto scherzando | Felix Mendelssohn, Jan Lisiecki, Orpheus Chamber Orchestra | D Major | 2 | 10B | 96 BPM | ||
6 Variations, Op. 13 on an Aria from "La Molinara" by G. Paisiello | Wenzeslaus Thomas Matiegka, Giovanni Paisiello, Giulio Tampalini | G Minor | 1 | 6A | 122 BPM | ||
Sinfonia in D Major, "La Veneziana": II. Andantino grazioso | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | G Major | 0 | 9B | 78 BPM | ||
Salieri : Piano Concerto in C major : II Larghetto | Antonio Salieri, Andreas Staier & Concerto Köln, Concerto Köln | C Major | 0 | 8B | 126 BPM | ||
Ein deutsches Requiem, Op.45: 5. Solo (Sopran) und Chor: "Ihr habt nun Traurigkeit" | Johannes Brahms, Barbara Hendricks, Rudolf Scholz, Wiener Philharmoniker, Herbert von Karajan, Wiener Singverein | G Major | 0 | 9B | 92 BPM | ||
ス・ワンダフル | アンサンブル・ジャック・アンド・ジルズ | C Major | 3 | 8B | 135 BPM | ||
Concerto For Oboe And Orchestra In G Major: 3. Allegro | Carl Ditters von Dittersdorf, Heinz Holliger, Camerata Bern, Thomas Füri | G Major | 2 | 9B | 133 BPM | ||
Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM |