"Des Prez: La déploration de Jehan Ockeghem, No. 1: "Nymphes de bois/Requiem"" by Josquin des Prez, The Hilliard Ensemble, Paul Hillier was released on 1983. Des Prez: La déploration de Jehan Ockeghem, No. 1: "Nymphes de bois/Requiem" is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in The Hilliard Ensemble's "Josquin Desprez - Motets and Chansons" album is number 13 out of 13. In terms of popularity, Des Prez: La déploration de Jehan Ockeghem, No. 1: "Nymphes de bois/Requiem" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Des Prez: La déploration de Jehan Ockeghem, No. 1: "Nymphes de bois/Requiem" by Josquin des Prez, The Hilliard Ensemble, Paul Hillier to be Moderato (at a moderate speed) because the track has a tempo of 110 テンポ, a half-time of 55テンポ, and a double-time of 220 テンポ. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Toutes les nuictz | Clément Janequin, Ensemble Clément Janequin, Dominique Visse | E Major | 0 | 12B | 98 BPM | ||
Pavin of Albarti | Innocentio Alberti, The Rose Consort Of Viols | E Major | 0 | 12B | 78 BPM | ||
Tallis: Spem in Alium - 3. Respice | The Tallis Scholars, Peter Phillips | B Minor | 1 | 10A | 140 BPM | ||
Missa Orbis factor: I. Kyrie eleison | The Monteverdi Choir, John Eliot Gardiner | G Major | 0 | 9B | 127 BPM | ||
Se l'ardor foss'equale | Philippe Verdelot, Profeti Della Quinta | A♭ Minor | 1 | 1A | 109 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Il bianco e dolce cigno | Jacques Arcadelt, Cappella Mediterranea, Leonardo García-Alarcón | A Minor | 1 | 8A | 131 BPM | ||
Kodály: Missa brevis: II. Kyrie | Zoltán Kodály, Choir of King's College, Cambridge, Stephen Layton, Stephen Cleobury | D Major | 0 | 10B | 101 BPM | ||
Taverner: Missa Corona spinea - 08. Hosanna 2 | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 2 | 5B | 80 BPM | ||
Missa Sanctae Crucis, MH 56: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A♭ Minor | 2 | 1A | 75 BPM |