"Missa Sanctae Crucis, MH 56: Agnus Dei" by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi was released on July 15, 2014. The duration of Missa Sanctae Crucis, MH 56: Agnus Dei is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Missa Sanctae Crucis, MH 56: Agnus Dei's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Michael Haydn, Purcell Choir, Gyorgy Vashegyi's "Haydn, M.: Masses" album is number 28 out of 28. On top of that, Hungary appears to be the country where this track was created. Missa Sanctae Crucis, MH 56: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Sanctae Crucis, MH 56: Agnus Dei by Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi to be Adagio (slowly with great expression) because the track has a tempo of 75 テンポ, a half-time of 38テンポ, and a double-time of 150 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hippolyte et Aricie: Choeur des prêtresses. Dans ce paisible séjour | Jean-Philippe Rameau, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 1 | 2B | 87 BPM | ||
Guerrero: Trahe me post te | A5 Vocal Ensemble, Francisco Guerrero | B Major | 1 | 1B | 65 BPM | ||
Dulces exuviae | Marbrianus de Orto, Capilla Flamenca, Patrick Denecker | A Minor | 2 | 8A | 67 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
Cantiones sacrae: Surrexit Christus hodie, SSWV 18 | Samuel Scheidt, Ensemble Altera, Christopher Lowrey | B♭ Minor | 1 | 3A | 78 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
Scylla et Glaucus, Op. 11, Act I: Aimez, nymphe charmante | Jean-Marie Leclair, d’Albaret, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | F♯ Major | 3 | 2B | 79 BPM | ||
Atys: Régnez, divin sommeil | Niccolò Piccinni, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | A♭ Major | 2 | 4B | 141 BPM | ||
Messa della Domenica: IV. Agnus Dei | Giovanni Salvatore, Stirps Jesse Ensemble, Fabio Bonizzoni, Enrico De Capitani | C Major | 1 | 8B | 102 BPM | ||
Sheppard: Laudem dicite - 6. Gaudeamus et exsultemus 2 | John Sheppard, The Tallis Scholars, Peter Phillips | D♭ Major | 2 | 3B | 87 BPM |