Thomas Adès, Composers Ensemble's 'Adès: Les baricades mistérieuses' came out on February 24, 2004. The duration of Adès: Les baricades mistérieuses is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Adès: Les baricades mistérieuses's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 15 in America by Thomas Adès. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Adès: Les baricades mistérieuses's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adès: Les baricades mistérieuses by Thomas Adès, Composers Ensemble is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. Robilliard) | Gabriel Fauré, Olivier Latry | E♭ Major | 0 | 5B | 74 BPM | ||
China Gates | John Adams, Yuja Wang | E♭ Minor | 1 | 2A | 161 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Études: No. 6 | Philip Glass, Víkingur Ólafsson | F Minor | 2 | 4A | 110 BPM | ||
Mandolin Concerto in D Major: II. Andantino | Emanuele Barbella, Avi Avital, Il Giardino Armonico, Giovanni Antonini | F Major | 2 | 7B | 95 BPM | ||
6 Encores: No. 3 Wasserklavier | Luciano Berio, Hélène Grimaud | B♭ Minor | 0 | 3A | 81 BPM | ||
Insight | Dobrinka Tabakova, Maxim Rysanov, Roman Mints, Kristine Blaumane | D Minor | 1 | 7A | 86 BPM | ||
‘Piano Sonata’ 1. X. 1905, From The Street: Foreboding | Leoš Janáček, Thomas Adès | E♭ Minor | 2 | 2A | 89 BPM | ||
Missa pro defunctis (1650): III. Symphonia | Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe | D Major | 0 | 10B | 136 BPM | ||
Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM |