"Missa pro defunctis (1650): III. Symphonia" by Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe was released on July 10, 2022. The duration of Missa pro defunctis (1650): III. Symphonia is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Missa pro defunctis (1650): III. Symphonia's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Steelant: Antwerp Requiem ca. 1650". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Missa pro defunctis (1650): III. Symphonia's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Missa pro defunctis (1650): III. Symphonia by Philippus van Steelant, B'Rock Orchestra, Frank Agsterribbe having a テンポ of 136 with a half-time of 68 テンポ and a double-time of 272 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Viola da Gamba Suite in D Major: I. Prelude | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 85 BPM | ||
Il Padrino (for Harp): Un poco liberamente | Nino Rota, Naoko Yoshino | F Minor | 0 | 4A | 83 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM | ||
The Four Seasons, Violin Concerto No. 4 in F Minor, RV 297 "Winter": II. Largo | Antonio Vivaldi, Dmitry Sinkovsky, La Voce Strumentale | E♭ Major | 1 | 5B | 83 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Goldberg Variations, BWV 988: Aria - Arr. for String trio | Johann Sebastian Bach, Dmitry Sitkovetsky, Orchestra of the Swan, David le Page | G Major | 0 | 9B | 84 BPM | ||
String Quartet in four parts: I. Quietly Flowing Along | John Cage, Rodolfo Richter, B'Rock Orchestra | E♭ Major | 1 | 5B | 211 BPM |