"Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!"" by Richard Wagner, Gustav Neidlinger, Set Svanholm, George London, Wiener Philharmoniker, Sir Georg Solti was released on January 1, 2012. Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 414 in the song's album "Solti - Wagner - The Operas". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Das Rheingold, WWV 86A / Scene 2: "Gezahlt hab' ich; nun lasst mich zieh'n!" by Richard Wagner, Gustav Neidlinger, Set Svanholm, George London, Wiener Philharmoniker, Sir Georg Solti having a テンポ of 125 with a half-time of 62 テンポ and a double-time of 250 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La vendetta, oh, la vendetta (Le nozze di Figaro) | George London, Bavarian Radio Symphony Orchestra | D Major | 2 | 10B | 140 BPM | ||
Parsifal, WWV 111 / Act III: Nicht so! Die heil'ge Quelle selbst erquicke unsres Pilgers Bad | Richard Wagner, Kurt Moll, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 128 BPM | ||
Salome, Op.54, TrV 215 / Scene 2: "Siehe, der Herr ist gekommen" | Richard Strauss, Eberhard Wächter, Birgit Nilsson, Liselotte Maickl, Waldemar Kmentt, Zenon Kosnowski, Heinz Holecek, Wiener Philharmoniker, Sir Georg Solti | B♭ Minor | 7 | 3A | 126 BPM | ||
Otello / Act 2: "Non ti crucciar" | Giuseppe Verdi, Leo Nucci, Anthony Rolfe Johnson, Chicago Symphony Orchestra, Sir Georg Solti | F Major | 1 | 7B | 49 BPM | ||
All mein' Gedanken, Op.21, No.1 | Richard Strauss, Kiri Te Kanawa, Sir Georg Solti | C Major | 1 | 8B | 87 BPM | ||
Rigoletto / Act 2: "Parmi veder le lagrime" | Giuseppe Verdi, Plácido Domingo, Wiener Philharmoniker, Carlo Maria Giulini | F♯ Major | 1 | 2B | 166 BPM | ||
Götterdämmerung, WWV 86D / Erster Aufzug: "Blut-Brüderschaft schwöre ein Eid!" | Richard Wagner, Gundula Janowitz, Helge Brilioth, Thomas Stewart, Karl Ridderbusch, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 2 | 3A | 78 BPM | ||
Jenufa / Act 3: Odesli | Leoš Janáček, Wiesław Ochman, Elisabeth Söderström, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B♭ Major | 2 | 6B | 82 BPM | ||
Madama Butterfly / Act 2: Che tua madre dovrà prenderti in braccio | Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | A♭ Minor | 1 | 1A | 77 BPM | ||
Die Walküre, WWV 86B / Act II: "Raste nun hier; gönne dir Ruh!" | Richard Wagner, Gundula Janowitz, Jon Vickers, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 1 | 3A | 88 BPM |