"All mein' Gedanken, Op.21, No.1" by Richard Strauss, Kiri Te Kanawa, Sir Georg Solti was released on January 1, 1991. With All mein' Gedanken, Op.21, No.1 being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "Strauss, R.: Vier letzte Lieder; Die Nacht; Allerseelen etc.". In this album, this song's track order is #14. Furthermore, we believe that the track originated from United Kingdom. All mein' Gedanken, Op.21, No.1 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All mein' Gedanken, Op.21, No.1 by Richard Strauss, Kiri Te Kanawa, Sir Georg Solti having a テンポ of 87 with a half-time of 44 テンポ and a double-time of 174 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Uf dem Anger: "Chramer, gip die varwe mir" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | C Major | 0 | 8B | 152 BPM | ||
Strauss, R: 4 Lieder, Op. 27: I. Ruhe, meine Seele | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | D Minor | 1 | 7A | 89 BPM | ||
Parsifal, WWV 111 / Act I: He! Ho! Waldhüter ihr | Richard Wagner, Marjon Lambriks, Dunja Vejzovic, Anne Gjevang, Claes-Håkon Ahnsjö, Kurt Moll, Kurt Rydl, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 128 BPM | ||
Les Troyens, H 133 / Act V: "Ah! Ah! Je vais mourir ... Adieu, fière cité" | Hector Berlioz, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | A♭ Major | 1 | 4B | 80 BPM | ||
Rigoletto / Act 1: "Questa o quella...Partite? Crudele!" | Giuseppe Verdi, Luciano Pavarotti, Kiri Te Kanawa, Sherrill Milnes, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 77 BPM | ||
Biizet: Carmen, Act 1: "La cloche a sonné; nous, des ouvrières" (Jeunes gens) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper | E Major | 0 | 12B | 91 BPM | ||
Jenufa / Act 2: Co chvila ... co chvila | Leoš Janáček, Eva Randová, Wiener Philharmoniker, Sir Charles Mackerras | B Major | 2 | 1B | 77 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: Closing Scene. "A, vot i vi!" | Pyotr Ilyich Tchaikovsky, Ruthild Engert-Ely, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine | E Minor | 2 | 9A | 78 BPM | ||
Giordano: Andrea Chénier, Act 3: "La mamma morta m'hanno alla porta" (Maddalena) | Umberto Giordano, Kiri Te Kanawa, London Symphony Orchestra, Myung-Whun Chung | D Major | 1 | 10B | 176 BPM | ||
Strauss, R: 3 Lieder, Op. 88: No. 1, Das Bächlein (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | F Major | 2 | 7B | 92 BPM |